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LOOPS

LOOPS Claimed

Interactive installation by Jonas Vorwerk

Exhibition Overview

Exhibition Type
Art, Science and Technology
Area Size
less than 200 sqm
Designed For
Science Centres
Entertainment Venues
Outdoor Spaces
Availability
2024
2025
2026
2027
2028
Hiring Fee

For a 3-month rental excl. transport, installation, insurance:


This hiring fee is set for the following exhibition format:
See all available package options
Core Experience
Immersive digital experience

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Videos

Description

Loops pay tribute to the music lab of the 50s and 60s where experimentation with analogue magnetic tapes built the ground for modern music making.

This highly intuitive apparatus allows anyone to play around with loop-based musical compositions. The 5 inconspicuous circular sound machines can be operated by anyone, and even though they are primarily digital, their interface is purely kinetic and manual which allows the user to quickly understand how to use them.

The speed and playback direction of the preprogrammed samples is manipulated by a steel controller wheel. Its material properties such as weight and resistance, consciously introduce a hand-operated element to sound control, at the same time making the artwork play with both the digital and the analogue realms. Its simple and elegant form together with vibrant light animations create a corresponding visual reflection of the soundscape lab created by the public and form an unusual audio-visual spectacle.

VR and App Content

General Information

Available Package Options
Turnkey

Extra Info

Highlights
Interactivity

Eleventh-hour Exhibit

Available in the next 18 months > Go to 11th-hour exhibits page

In Loops Jonas Vorwerk comes back to the idea of creating new spatial and collective interfaces for music making. A concept he has already addressed in earlier works such as the Lightbox Sequencer, Windorgel and Musical Forest, but this time focusing on a different aspect – audio loops. Almost as if he was taking contemporary music apart, Vorwerk explores its elements in isolation and builds devices that introduce them to a wider audience. This installation acts as a highly intuitive apparatus that allows anyone to play around with loop-based musical compositions. As it were Loops paid a tribute to the music lab of the 50’s and 60’s where experimentation with analogue magnetic tapes built the ground for modern music making. Vorwerk’s lab, however, is not an enclosed studio full of experts. It is out in the open, anywhere in the public space. His inconspicuous circular sound machines can be operated by anyone, and even though they are primarily digital their interface is purely kinetic and manual, allowing the user to quickly understand how to use them. Designed for simplicity, Loops packs neatly into just one crate for easy transportation and set up. Its sleek, minimal, user-friendly design, is taking cues from traditional gathering circles and jamming sessions. Loops stands out as a remarkable collaborative musical experiment, inviting people to unite and spontaneously generate rhythms together.

Exhibition Type

This is an exhibition listing

Produced by

Hiring fee is set for the following exhibition format

Turnkey

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